View of the Drew | Andrew Halpern Photography

Glasgow Traffic Cable cars up the mountain (Pilatus, Lucerne, Switzerland) Baby holding a baby, Blenheim Palace Street Scene near Union Square (17th st. and Broadway, NYC) Zurich at night (Zurich, Switzerland) Statue of Liberty Funkified (Liberty Island, NY) Temple of Antoninus and Faustina (Rome, Italy)

Strolling through DUMBO

Strolling through DUMBO

1/125 . f/8 . ISO 200 . 25 mm

I like this image because I managed to catch this woman in mid-stride. I think it helps to have people in these kinds of scenic shots because it gives the eye something to focus on as opposed to just a picture of the Manhattan Bridge.

We’ve got a situation here

Halal Meat

1/500 . f/5.6 . ISO 800 . 250 mm

…more chicken!

It looks like dirty water hot dogs are becoming passé. The new trend in street meat are these halal carts. I recommend white sauce and hot sauce if you get it. Most of these carts are fine, but if you are trying a new cart, perhaps you should do it on a day when you know you’ll be near a toilet.

Active Driveway

Active Driveway

1/30 . f/5.6 . ISO 3200 . 55 mm

I’m not sure why I like this one. It just seems peaceful to me.

Coney Island at Night

Coney Island at Night (Brooklyn, NY)

1/40s . f/2.8 . ISO 800 . 35mm(equiv)

This is a shot I took of Coney Island at night. My DSLR was being fixed at the time, so I shot it with a Canon G7, which is an advanced compact camera. An interesting thing to note on this shot, is that the aperture is fairly wide at f/2.8.  But despite that fact, notice how deep a depth of field we get on the shot. The reason for this is due to the smaller sensor on the compact camera.

On a DSLR in order to get the equivalent depth of field, you would need a setting of  about f/13 on a full-frame camera and about f/8 on a cropped-sensor camera. This fact illustrates why it is near impossible to do blurred backgrounds with a compact sensor camera.

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Selective Color in Lightroom

1/800 . f/5.6 . ISO 160 . 55 mm

Here’s another of the Roosevelt Island Tram. I thought it’d be cool to put everything in the shot in black and white and just leave the tram a nice bright red.  It looks nice right?

Normally, something like this calls for Photoshop, but believe it or not, it is actually not so hard to do in Lightroom.

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Romeo + Juliet

romeo and juliet

1/125 . f/5.6 . ISO 800 . 60 mm

This shot is of a Romeo and Juliet sculpture in Central Park near the Delecorte Theatre. The theatre shows free Shakespeare plays in the summer. I thought looked particularly nice in black and white.

The vignetting effect on this shot was done using the Post-Crop vignetting panel in lightroom. There are actually two areas that control vignetting in lightroom. The first is under Lens Corrections. This area is more designed to correct for natural vignetting that occurs from lens imperfections. This type of imperfection will of course only show on the corners of your shot, and will disappear if you crop off the corners. Therefore, if you crop your shot, these lens correction vignetting adjustments will not “travel” with your crop.

Because people started using vignetting as an artistic effect, Adobe added the Post-Crop Vignetting panel under Effects. Like the name says, the vignetting here will be maintained on any crop of your photo. There are various styles of vignetting that you can do here and you can experiment with them yourself.

Now you know, and knowing is half the battle.

I love lamp

I love lamp

1/2000s . f/5.6 . ISO 500 . 250 mm

TPS Report Break


1/2000s . f/5.6 . ISO 1000 . 250 mm

Cycling in Midtown Manhattan

Bicyclist, traffic

1/2000s . f/5.6 . ISO 640 . 250 mm

… is kind of a pain in the ass.

But wait a second, is that poor guy really wedged between those cars?

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Voyage to Roosevelt Island

Here is a new shot of the Roosevelt Island Tram I took the other day. The Tram is actually one of the few aerial *commuter* trams in the world. It runs from 59th and 2nd in Manhattan to Main Street on Roosevelt Island.  The cost is the same as a ride on the subway.

You might be wondering about the sky in this shot and how I got the clouds to pop out like that.  Well, I used a lens filter known as a Circular Polarizer.

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